A demo laid down in a hurry with my compañeros Jason Andolino and Cayson Morrison in Arizona. It tells the (shortened) story of the Bisbee Deportation of 1917 and other early 20th-century race / labor struggles in the state. There are so many strange and sickening parallels between the xenophobia of that time and that[…] See more ⇒

Performance art intervention in front of the Contemporary Art Museum of Oaxaca, together with five other artists from all over the US and Mexico. While mostly blocking one of the primary tourist corridors of Oaxaca’s centro, performers yelled, whispered and purred questions and statements to passerbys on the sidewalk. While the bilingual text itself was[…] See more ⇒

Un colibrí llega a mi azotea chilanga y de repente todo me parece posible, aunque improbable: flores donde no hay colores sino cemento, metrópolis construida sobre metrópolis, metrópolis suspendida sobre lago, nervios tensos esperando tremores, craneos esperando volcanes, en fin todo, al final, todo finalmente. Entonces colíbrí, ¿así? ¿Pero cómo? Esta ciudad es cemento oxidado,[…] See more ⇒

Individual exposition of new stencil graffiti work and digital prints, first in the NoVOGRAFÍAS (“new writing system”) series. This set of five designs focused on five words: blackbook, horizon, arizona horizona, méxico cíclico and dirtyverbs. The inauguration included a performance of related poems.   NoVOGRAFíAS verbo, video y graffiti por LOGAN PHILLIPS dirtyverbs.com inauguración SÁBADO[…] See more ⇒

I’m currently working on a complete redesign & reorganization of this website. Expect more content in an easier-to-read format, more visual art, ink scans, pdfs, podcast, etc. Gonna be good. Gonna take some time. At the moment, I’m working on organizing the archives. Take a look… writing & media from the last five years. Time[…] See more ⇒

Audio score for video performance art. Video-Performance idea original: Nayla Altamirano cámara y edición: Moisés Regla arte sonoro: Logan Phillips vestuario: Gamaliel Islas performance: Oriana Jimenez y Nayla Altamirano asistente: Ary Ehrenberg agradecimientos: f4 libre / Marcos Rossi México 2010

the ink writes the poet. Headlines write the politics. Sentences write the prisoners. Textbooks write the memory, lessons ignore everyone. Grades make the student. Students learn the teacher. Jobs work the employee. Streets drive the car. TVs watch every household. Religions rely on the fanatic. Prices buy the customer. Drugs do the poor. Lines wait[…] See more ⇒

Here is a short piece of videoarte done by my homeboy Carlos Altamirano in México, DF. I collaborated and did the audio for the piece, something I love to do and was happy to have been asked. Carlos did the piece as part of UNAM’s ArteShock, which was a televised competition between artists in different[…] See more ⇒

A collaboration with the group Vessel and their piece “Transfix,” directed and conceived by Rachel Bowditch. I joined the troupe for a shoot in Imperial Dunes, California, and later created a spoken remix of TS Eliot’s “The Wasteland” which was performed at the Transfix retrospective at the monOrchid Gallery in Phoenix, April 2010. Transfix Retrospective[…] See more ⇒