ARROYO INK now for sale online!

Ok, this is it! After a couple years of poetry, a few months of preparations and a few weeks of pulling things together, my new book Arroyo Ink is now for sale online!

I'm excited about this one, I think this is the best work I've put into print so far. It's the fifth in the series of chapbooks that I have released since 2002, and like the rest of them, this is a hand-crafted, independently-produced piece of work. It also has strange illustrations in it drawn by myself and Adam Cooper-Terán. The illustrations are all based on remixed letterforms and will keep your eyes oh-so entertained.

I'm selling the books for $10, plus a couple bux for shipping. All purchases are handled by PayPal, which is a secure online payment company owned by eBay. 100% secure, not to worry. I know times are lean for everybody, but if you are able to plop down some virtual dollars, I'd love to put a book in the mail to you. I appreciate it.

The US book release performance was a couple weeks back in Bisbee, AZ, and it was more than I could have hoped for. Video art showcase, introduction by Adam Cooper-Terán, an hour-long performance of new poems and a reception featuring a showing of the fine art prints from the book. For all those who couldn't be there, here's the goods! Hopefully I'll be touring a lot in the coming year, but until then:

    Now available:

  • Arroyo Ink book
  • Illustrated postcards
  • Fine art prints (limited editions!)

arroyo ink oaxaca agave

Arroyo Ink: book release!

This just in! I'll be releasing my fifth chapbook next month! ARROYO INK, poems by Logan Phillips, illustrations by Logan Phillips & Adam Cooper-Terán. Two years have passed since my last book was released, it's time for fresh! I'm excited for ARROYO INK to meet the world. ARROYO INK will be on sale online June 6th, 2009. Get your PayPal ready!

Central School Project presents

LOGAN PHILLIPS

releasing his new book ARROYO INK with a spoken word performance & video art showcase. Bilingual poems from Mexico City, Cochise County, Central America and points beyond. One night only.

FRIDAY 05 JUNE 2009 Central School Project 43 Howell Ave. Bisbee, Arizona 7:30pm • all ages • uncensored donations requested • que vengan

Book signing and reception to follow performance.

¡LIMITED EDITION BOOKS ON SALE FOR FIRST TIME! Arroyo Ink available for purchase online June 6th

http://www.dirtyverbs.com/2009/05/release

Logan Phillips: http://www.dirtyverbs.com Verbobala Spoken Video: http://www.verbobala.com Central School Project: http://www.centralschoolproject.org

Event on Facebook: http://www.facebook.com/event.php?eid=98148759921

Online poster: http://dirtyverbs.com/content/images/2009.05_phillips-bisbee-WEB.jpg

Poster for print: http://dirtyverbs.com/content/images/2009.05_phillips-bisbee-PRINT.jpg

ltp

Arizona… May.

Hello friends, qué tal, I wanted to let everyone know that I'm safe and sound in Arizona, flu-free according to me. I was on tour for the last 20 days across the state, and was set to fly home tomorrow but changed my plans due to the craziness in el D.F. I don't mind being in my home state, but it isn't easy being away from so many people I care about in Mexico while this is going on. The panic is as problematic as the virus at this point. Thanks for your emails and concern, but there are others much more deserving. Please keep an open mind and be on the look out.

Les veo,

logan

-----

Hola mis amigos, qué tal,

quería decirles que estoy bien acá en Arizona, sin influenza segun. He estado de gira durante los últimos 20 dias aquí, y iba a volver a casa mañana pero cambié de plan por la locura en el D.F. No me molesta estar aquí en mis tierras, pero no es nada fácil estar tan lejos de tanta gente querida en México ahorita. El pánico es tan problemático como el virus mismo. Gracias por sus correos y preocupación, pero neta hay otro que la merecen mucho más en este momento. Espero que mantengan una mente abierta y atenta.

Espero verles pronto,

logan

Arizona April!

I'll be back in Arizona in April for another string of eclectic shows, I hope you can make it out! Video, DJ and poetry galore! New poems, new songs, revelry in general. All dates and details subject to change, please check back as the events approach.

  • Mon. 4/13, evening, Buena High School, Sierra Vista. Hosting and spoken word feature with Jasmine Cuffee and Carlos Contreras at the student poetry slam at BHS.
     
  • Tues. 4/14, morning, Buena High School, Sierra Vista. Workshopping with students. Closed to public, sorry!
     
  • Wed. 4/15, morning, Southside Community School, Tucson. Bilingual storytelling & workshopping with elementary kids! Closed to public, sorry!
     
  • Thurs. 4/16, evening, Bisbee. Solo spoken word and videoart showcase! More info coming soon.
     
  • Sat. 4/18, 9pm, Monte Vista Hotel Lounge, Flagstaff DJing with Emtron: Sonidero Verbobala, all the best dance music you may've never heard! More info here.

    sonidero verbobala in flagstaff, arizona

  • Mon. 4/20, Flagstaff Performing vocal samples with the loops & drums duo CLOUDPEOPLE.
     
  • Thurs. 4/23, 4pm, Rocket Gallery Tucson Solo spoken word feature at the "ARTivison" art reception as part of Tucson Youth Week. Rocket Gallery (270 E. Congress). Free.

    ARTivism with logan phillips

     

  • Thurs. 4/24, 10pm, Green Room Flagstaff DJing with Emtron: Sonidero Verbobala with Sambátuque.
     

Here is what has been happening in Mexico City lately: sonideros, the original Mexican street DJ's:

immeasurable house of being

Fine and dandy: but, so far as I am concerned, poetry and every other art was and is and forever will be strictly and distinctly a question of individuality. If poetry were anything––like dropping an atombomb––which anyone did, anyone could become a poet merely by doing the neccessary anything; whatever that anything might or might not entale. But (as it happens) poetry is being, not doing. If you wish to follow, even at a distance, the poet’s calling (and here, as always, I speak from my own totally biased and entirely personal point of view) you’ve got to come out of the measurable doing universe into the immeasurable house of being. I am quite aware that, wherever our socalled civilization has slithered, there’s every reward and no punishment for unbeing. But if poetry is your goal, you’ve got to forget all about punishments and all about rewards and all about selfstyled obligations and duties and responsibilities etcetera ad infinitum and remember one thing only: that it’s you––nobody else––who determine your destiny and decide your fate. Nobody else can be alive for you; nor can you be alive for anybody else. Toms can be Dicks and Dicks can be Harrys, but none of them can ever be you. There’s the artist’s responsibility; and the most awful responsibility on earth. If you take it, take it––and be. If you can’t, cheer up and go about other people’s business; and do (or undo) till you drop. ––ee cummings, “six nonlectures.” 24

Prensa // Recent press

Ey internet astronauts, I've just come off tour with Verbobala after two months in Mexico, it was a mind-blowing time. A bunch of press came out of it, which we're grateful for. Most is in Spanish of course, but there's a bit in English later in the list. More soon!

Plus, below is some footage from a show that Sonidero Verbobala rocked in Coyoacán, Mexico City.

Click for PDF // haz click para leer el PDF:
Emeequis Verbobala

Names for This

You Lightning-Flasher, Shirt-Raiser,lack-of-control Power Blinker, toss the trees around like wet cotton candy, they’re drunk marionettes, Power Cutter, Bed Rumbler. The night is a black-eye disco, and you’re a violent drunk, Night Storm. Drenching dreams, nowhere to go but right on top of us, roof Slam-Dancer, Sky-Splitter Night Light, Gutter-Defier, Waterfall-Caller tumbling down window panes, Door-Groper, a puddle on the tile. The nosleepers are listening to you, Tomorrow-Maker, Midnight Rumbler. Sharp clouds and nosleep, yer no quitter, Kid, Mountain Bowler, cement puddles, and a mud romance.

The clock blinking 12:00 in fear of You.

Nombres para esto

Tú Destellarayos, Levantacamisas, Parpadeador neumático sincontrol, zarandea los árboles como algodón de azúcar húmedo, son títeres borrachos, Cortador de Poder, Retumbacamas. La noche es un disco ojinegro, Y tú eres un borracho violento, Tormenta Nocturna. Sueños empapantes, ningún lugar a dónde ir salvo encima de nosotros, Slambailador de techo, Luz Nocturna Cortacielos, Desafíalcantarilla, Llamacascadas Tumbando paneles de ventanas, Tientapuertas, un charco en la losa. Los nodurmientes te están escuchando, Hacedor de Mañanas, Retumbador de Mediasnoches. Nubes afiladas y nodormir, Tú nunca renuncias, chico, Lanzamontañas, Charcos de cemento, y un amorío de lodo.

El reloj parpadea las 12:00 temiéndote.

Trad. de Alfredo Villegas Montejo

Where Do Airplanes Build Their Nests?

Aero avión, build nest.

Nido airplane nave. Vuelo, cielo cielo.

Caught the aeronave from the Juarez war zone back home to the onda arizona. (Amazing trip. Saludos a Leon. More soon.) The flight from PHX to TUS takes 20 minutes. The metal iguana doesn't climb over 5,000 feet. The up. Then the down. Bottled water for sale. Sixteen ounces. Two dollars.

(I'm on tour schedule again, sleeping from five A.M. to one P.M.) (Last night I made this video.)

Arizona is the fastest growing state in the Union. Maricopa County, home to the capital, Phoenix, receives an average of 7.76" of rain per year.

Maricopa County has the highest number per capita of golf courses in the United States of America.

The aquifers can't last forever. The metal iguana flies on.

fotovideo LOGAN PHILLIPS

additional music LIARS

thanks ADAM COOPER-TERÁN MOISÉS REGLA LEÓN DE LA ROSA

tucson, arizona dirtyverbs.com 2008

Nicaragua Night Hotel

The man who guards the front door sings to himself as he guards the front door. There’s one huge roof over the squat hotel, hovering over the rooms on columns. The rooms are a set of cement walls and a few flimsy doors. There’s a patio in the middle.. Most of the guests try to bathe before trying to sleep through the slow tropic heat, and the showers have elaborate tiles which are old enough to be covered in something that looks like rust. Only near the door are the tiles smooth and bright, worn by feet into a thin trail. There are cement washtubs built into the corner of both small shower rooms. The guests never used to bathe with running water. Above, a single fluorescent tube is screwed into one of the vigas, the spiderwebs around it have become so clogged with dust that they have become the ceiling.

At night there are only the sounds. Men murmur to their lovers, water falls from a plastic pipe in the shower, the singing man guards the front door from a rocking chair. He will stand naked in the shower at dawn.

Then it starts to rain like teenagers throwing fistfuls of water against the fired-earth tiles of the roof. The drips start through the spiderwebs. Empty rocking chairs nod with the wind coming off the lake, which is running down the empty streets, looking for open doorways. If the guests were to take showers now, they’d run across the patio, trying to avoid the rain. They run their fans all night long, for the mosquitoes. For the sound.

A dog is echoing somewhere outside. Most of the guests are old. They’re asleep now, or laying awake waiting for drips, listening to the fans.

The man in the rocking chair also whistles. His tongue is a cello bow drawn across a bending handsaw. The flimsy doors are closed. Snoring harmonizes with the rain that harmonizes with the fans. The dog must be stuck on a roof somewhere.

The curtains are thin. The sheets are thinner. And the man who whistles a handsaw is the thinnest of all.

What Burns Above My House

There is so much happening in the skyit's all we can do to keep ourselves distracted.

The monsoons roll in the late summer. We set the mowers against the grass, they graze like domesticated helicopters. Their growl fills up the neighborhood.

Hawks fly down from the foothills bending the wind with their wide arms. They watch for mice running from the mowers' whirling mouths.

The clear sky hemorrhages a beautiful white cancer, the sun becomes more beautiful in its gradual eclipse because we notice only transitions and invent things like boredom to camouflage our moments.

Everything smells of clean electric sex. The wind has distance on its breath. The afternoon begins to explode.

A season like this makes me wonder how we ever managed to shove time into clocks and watches, keeping time like a tiger on a leash, oblivious to its obvious rebellion.

Sooner doesn't always come before later. Now is never stuck in the middle, monsooner or later it will all come down.

The dirt roads will arrive eventually. Today they're running late.

End of Tour // Off to Honduras

From now until July 18th, 2008 I will be mostly out of contact as I travel through Central America. I will periodically be checking email, but will only have a chance to respond to urgent messages. For Verbobala booking, please use this contact form on the Verbobala site. Gracias, ¡nos vemos después!

The problem with writing about tour is that there is rarely chance to do so. From mid-March until the end of May, Verbobala toured from Tucson to Portland, Boston to San Antonio, New York to Austin. It was our first time on tour in the US, and it was, in short, a blast.

Though Moisés (1/3 of the group) was unable to get a US visa, we were able to re-work our entire set and incorporate him through video projection. He wrote a different poem for just about every stop on the tour, recorded each one, and passed them to us the day of each show. It was incredible watching the audience react to the "mojado digital." I don't think I've ever seen an audience jump to its feet and cheer for a video projection... obviously he was able to transmit more than just his image.

In Worcester we were shown hidden speakeasies, mostly unchanged from the day that Prohibition was repealed. Adam called to the ghosts. In San Antonio we were shown an amazing time and got to meet Grupo Fantasma, a group I have loved for years. We went to Vancouver for a day and I featured at a poetry slam, which makes me feel like I've completed some crazy NAFTA-of-slam. In Tucson we debuted a brand-new full-length piece called Nobody Speaks with our sister group Flam Chen... it feels like the coolest performance I've ever been a part of. We sold t-shirts. I nearly sold out of books again. We played the Bowery Poetry Club in New York City with Patricia Smith and Jamie Caroline. Adam made his poetry open mic debut and offended everyone. We projected video onto the 60-ton, 3 story Cathedral of Junk in Austin with Show Me Tiger. We were on the radio, we scared coeds. We were called weird. We said thank you.

There is video of a lot of this, but it will be a little while before any of it goes online. Stay tuned. There is so much that could be said, so many names to mention.

I've been back in Mexico for about 10 days, catching up with Moi and other close friends. Verbobala has allowed all three of us to make a living with our art, and it feels incredible. I'm in love with this project. We'll be renting a house in Hermosillo in August to work on new material for a Mexican tour that will be September-October. Later in the fall we'd like to do some Canadian dates. There's some ideas for Argentina as well. Hopefully we can work with some people to get Moi's US visa worked out, it would be nice to tour the States again sometime. But we're not sitting around waiting for it.

Here's to hoping for Obama in November.

One thing about tour: it is definitely not vacation. It is a privilege to travel, but it's not relaxing, that's for sure. As of Wednesday, I'm gone traveling. It is time to disappear for awhile again with a blackbook and a pen. I'm headed to Honduras to meet up with a friend, then moving through Nicaragua to Costa Rica. We'll be mostly off the beaten path. As of July 18th I'll be back full-time.

Hasta entonces, amigos. Que les vaya chido.

Los Peces del Viento

Este miércoles es la premiere del documental "Los Peces del Viento" del videoasta Wilfred Massamba. La obra se enfoca en dos poetas bilingües, el mexicano Mardonio Carballo (español-náhuatl) y el estadounidense Logan Phillips (español-inglés), en este estreno contaremos con la presencia de los dos y el grupo Bungalo Dub. Miércoles 11 de junio a las 20:00 hrs en la Alianza Francesa México, Sócrates #156 (esq. Homero), Col. Polanco, México D.F. La entrada es gratis.

This Wednesday is the premiere of the documentary "Los Peces del Viento" by filmmaker Wilfred Massamba. The work focuses on two bilingual poets, Mardonio Carballo (Mexico, Spanish-Náhuatl) and Logan Phillips (USA, English-Spanish). Both will be present at the event, along with the group Bungalo Dub.

Wednesday, June 11th 2008, 8pm at la Alianza Francesa México, Sócrates #156 (esq. Homero), Col. Polanco, Mexico City. Free.

LOS PECES DEL VIENTO Palabras, words, des mots... Mouvement poétique, social et culturel, le «slam» apparaît à Chicago dans les années 80. Basé sur la notion de communauté, le slam affirme le caractère démocratique de la poésie et lui ajoute une dimension de spectacle. Un documentaire de Wilfrid Massamba (52'). Los peces del viento…palabras, words ce ne sont que des mots. La parole se manifeste comme une expression des désirs, pensées, émotions, souffrances, aspirations…

Dom Flemons youtube blowout

It is time, amigos, for a new Dom Flemons post. Three years ago I wrote about him when he had just made the big move Out East. Now, I'm happy to report that Dom is continuing with his Conquest of the World. With his current band, Carolina Chocolate Drops, he is touring the world. Word has it he's Big In Europe, which he should be. I just caught up with him in NYC, where we ate some slices and he played old accordion. Then, back in his room, he played Peruvian-style wind pipes with blues guitar. The kid is wild, and the kid is going to blow up. It inspired me to dig out some old video of him I shot at his request back in 2004. I was renting a room in a small house in Flagstaff, I sat him down, got creative with the lighting, and let the borrowed camera roll. Back then (way oh so back then in 2004) there was no YouTube, except for those real, organic, gooey tubes of yours. So I sat on the video. Until now (cue drums).

Here's Dom. There's more here.

Local boy makes…

This is first in a series of posts that I've been meaning to make over the last few months of tour, but am only now getting to.

Like most people, I couldn't wait to leave the town that I grew up in. My entire world was a little place called Sierra Vista, and it seemed to me that it existed at the expense of everywhere else: I wouldn't be able to expand my horizons until I left and vowed never to come back. Sure, that's extreme, but the world is an extreme place at 18 years old.

Again, like many people, I used the change of scenery to reinvent myself. Moving to Flagstaff, I grew my hair long and started to read my poems in public. I played a lot of guitar with people I had just met. I skateboarded everywhere. These were all things that I hadn't been able to do in my hometown.

It has only been this spring––some seven years later––that I've made my peace with this place. Though I regularly came back to visit my parents, I still wasn't comfortable. Then, a few years back, I began to perform in Bisbee from time to time and discovered a generous and empathetic audience.

Word got around, and plans started to be made for coming back to my old high school. I've always liked working in schools, but I was nervous about this one. I had been a very different person in high school––would the place remember me that way? There was lots of anticipation.

On a Friday in late March I did two performances for about 500 students each, and had brought along two of my favorite poets from the Albuquerque scene: Carlos Contreras and Jasmine Cuffee. I didn't want it to be about me, I wanted to be about us, about the students: this was something that anybody could do. After the school-day performances, we came back to the library later that night for a performance open to the entire community. It was a great little crowd.

Jazz, Carlos, Adam (along for the ride), and I celebrated hard later that night. I woke up on my living room floor the next morning (it was a full house) with a groggy head. Carlos tells me "You're not going to believe this," and tosses a newspaper at me. I fail to catch it, and it hits me in the face. And there it was: my mug on the front page. Holy shit. What a surreal thing.

 logan phillips herald front page

Then the following Monday we did something like four workshops with about 30 students each. We tried to touch on everything in a very short time: free writing, revising, reading for a peer group, performing for a crowd, and even organizing a slam. Turns out that it worked, because a month or so later the school held their first-ever poetry slam.

And the student council asked me to speak at the Class of 2008 graduation, which I did last Thursday. The day had started with near-disaster: I was traveling to Sierra Vista from New York City, where Verbobala had just played our last date of the spring tour. Arriving to JFK, the airline had lost my reservation, and I was moments from missing my plane.

But no, the angels were smiling, and I made it to graduation. I may be the first person to ever give a graduation speech whose theme is I really don't know what to tell you. I had been racking my brains on the plane, and I realized that it would seem false to me if I suddenly got up in front of that crowd and tried to feign wisdom. I really didn't know what I could say that would be all-encompassing and relevant... except, well, that: I don't have it figured out perfectly and neither does anybody else. But that's OK. I then told a story I wrote a few years ago called "Sun Said Shine," and pulled from it a few tips that I thought might be useful. The newspaper was there again.

The infamous Sierra Vista wind was in full force, it was like the X-Games version of a high school graduation. Far cooler than speaking was getting to shake the hand of each one of the 596 graduates immediately after they received their diploma. What a unique moment to be a part of. Crazy damn kids. The world is theirs.

It's all been a really big honor, one that I never saw coming. Big thanks are in order to the principal Tad Bloss and the amazing librarian Mary Kohn, without whom I might have never made peace with this weird little place where I spent sixteen years of my life. And I helped bring poetry into the "cool" at my old HS. That feels good.

San Antonio, TX: Puro Slam

Returning to feature solo at one of my favorite slams in the country! PuroSlam proudly presents Slam Journeyman Logan Phillips Atomix 1902 N. McCollough San Antonio, TX 78212 210-733-3855 Tuesday, May 6th, 2008, 9:30 pm $3