The old man rides an old bicycle in slow rhythm along the bay, on his way home to his wife after watching the technicolor sunset on the old dock. "¿De qué año es su bicicleta?" I ask him as he peddles by me. "Tiene 50 años," he says, smiling as he stops the bike next to me.
"¿Es un tipo Schwinn?" I ask, being into this type of thing.
"No, se llama Super Rex," he tells me, and pulls out of the breast pocket of his half-open cotton shirt the ancient registration card, which is paperclipped to his carné de identidad. "El gobierno me dio este papel pero como no saben escribir bien pusieron 'suder res.'" We laugh.
He asks me where I'm from. "Oh!," his eyes flush with emotion as he folds up his thick glasses. "I lived for five years there! In New York! Nineteen Fifty Five until Nineteen Sixty. But I think, not because I'm Cuban, that here, Cienfuegos, has the most beautiful sunsets in the world."
"Looked pretty good to me," I tell him.
"How do you like Cuba?"
"Me facina," I say, smiling.
"The same for me in New York," he smiles too. "I love my country," he says the words slowly, as if describing an ache, "but this situation here... it's not good. I stay against my will because I love my country. But this system doesn't work."
"I agree with you," I tell him. I realize he only has the courage to say these things because we are speaking in broken English. By this time we've stopped walking and we're leaning close to each other. He starts laughing.
"I must go," he says, "my wife is waiting for me. It was a pleasure to talk to you and practice my broken English."
"For me too. Tell your wife I say hello and take care."
"Ok, goodbye."
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